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Filiberto and Yanoski Mora
The papier-mache
sculptures have a lengthy process (i) basic shapes based on drawings are
cut out of large polystyrene pieces and then carved and sanded (ii) once
the desired shape is reached, a first two layers of papier-maché is applied
(using newspaper) (iii) for figures, arms, facial features and other details
are added using small amounts of sculpted clay (iv) further layers of
papier-maché are applied finishing with a final white layer (v) pieces
are painted and given their idiosyncratic identities
Filiberto Mora has had articles written about his work in The List, Edinburgh ‘ Sculpture’ 1-15 Nov 2001; ‘Glasgow Awaits the Coming of Cuban All Saints’ The Sunday Herald 4 November 2001; ‘Art of Music’ Songlines World Music magazine (October 2003)
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A Little Tonka